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MessagePosté le: Ven 19 Oct - 08:32 (2018)    Sujet du message: between the cities of Mac Répondre en citant

Many interior designers subscribe to these protocols Da'Ron Payne Redskins Jersey , but it can be fun to stretch the rules. Creating the best showcase for appreciation of the art is the goal. Do not attempt to match your existing furniture with your artwork. Adding pillows to your sofa in a similar color as in your artwork or using a fruit bowl with like shades can be a nice touch. Specialists recommend that art is mounted at eye level. Galleries utilize this suggestion by placing pieces in a way that allows their midpoint to be at the five foot mark. To show the artwork's true colors, experts prefer to use halogen bulbs; they cast a pure light on the art. When hanging the artwork, make sure you use at least two hooks designed for this purpose.

A trendy way od displaying art is to lean it against your wall on the floor, or lean it on a shelf or use suspension wires to hang it from your wall. This usually works when the artwork is very large with a great frame. In order to truly let your art shine, the best mat to use is colored white. And if you really feel that the art work would be best accented by a pop of color, then you can always slip a "filet", or a slightly larger matte background behind your art, in between your art and the larger white matte background.

When putting an art grouping together, you must make it balanced. When pieces are different size, you should line them up at their centers so the eye can comfortably travel across the display. When artwork will be grouped on a wall, you want some idea of how it will look before you start installing hooks. You can lay the pieces on the floor for ideas, or try sketching the arrangement on paper. All those spaces between the frames will turn into their own details. Once you have decided how much space is appropriate, continue with that pattern throughout the grouping. Interior designers like to leave more than one and one-half inches between the pieces so that your grouping doesn't look too squished. Again, check out the grouping by first arranging the pieces on the floor or by making a drawing on paper. If all of your design elements are the same size and you want to make the presentation more visually stimulating, then you should consider adding different sized frames to show off your grouping. Right now, plain, unadorned frames are very popular with more modern art. Impressionistic and traditional paintings would be the concession, as they usually look better in fancier frames.

A smaller art piece could be enlarged and look more elaborate if it had a big mat encircling it. Paintings tend to show better on walls that are minimal in color, such as white or off-white. When you decide to redecorate, pick artwork in the beginning of the process. Because you might find a piece of art that you love, that does not go with your current design element and you might lose out on something that will bring you hours of enjoyment.

Selecting the perfect piece for a room can be costly and frustrating. This is why so many designers say that you should focus on art that you can make an emotional connection with. Art is easily found while traveling or thorugh one's family and friends, or even with artists local to your area. You can use many different types of art in the same room and still get a lovely look: paintings and watercolors from different countries on the same wall, hand crafted wood and books on a table, and Indonesian masks and modern media can all create a beautiful room. Artists traveling generally try to find pieces that touch them.

Consider using various types of frames to add an extra punch to the room. But keep in mind that its the art itself that should be noticed, rather than the frame. Some galleries will allow you to put a deposit down on a piece of art, so that you may try it in your own space and exchange it if it doesn't look right. You could bring up to twenty works home from some galleries.

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ROME, Nov. 14 (Xinhua) -- Hundreds of children in central Italy's quake-hit areas returned to school on Monday, two weeks after a latest and massive tremor hit Umbria and Marche regions.

Pupils and teachers in the towns of Norcia, San Benedetto, Teramo, Cascia, and many smaller centers in the mountainous Valnerina valley, between the cities of Macerata and Perugia, met again for the first time since the major event.

In a few towns, the reopening was postponed to Nov. 21. Everywhere, lessons took place inside emergency housing units or prefabs.

School buildings all across the affected areas have been variously damaged by the quake, if not destroyed, and Italian firefighters and civil protection officials were carrying out safety assessment checks.

Primary, secondary, and high schools will have to share the same spaces, and classes will be held in turns in the mornings and afternoons during the school year, the Ministry of Education stated.

Overall, the pupils involved in the reopening on Monday looked relieved. "Coming back to school means seeing my mates again, and, most of all, trying to get back to normal life," Ansa news agency quoted an unnamed high-school girl in Norcia as saying.

The same areas in central Italy's regions of Umbria, Marche, and Lazio have been struck by four quakes in a little more than two months.

A first earthquake of magnitude 6.0 on the Richter scale hit on Aug. 24, killing 298 people, injuring 400, and leaving thousands displaced.

Two further tremors struck on Oct. 26, at a short distance, and carrying a magnitude of 5.4 and 5.9 respectively. Some people were injured in this event, but no serious casualties were reported.

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